While serving a Mormon mission in Japan, Elaine Cheiko Packard (Elly) has erotically charged dreams featuring a young man she spotted only once and briefly on a train platform. Now a returned missionary and a student at Brigham Young University in Provo, Elly runs into the “lover” from her dreams: fellow BYU-student Connor McKenzie, and it turns out the dreaming has been mutual. In fact, stateside, their respective dreams have grown even more intense, despite the fact that the two have barely spoken to each other. Even Connor’s reading of the classic Church-sanctioned repentance tome The Miracle of Forgiveness does not keep the dreams at bay. In Elly’s case, the dreams have her so certain she will marry Connor, that she procures birth control pills even before they’ve scheduled a first date. After four weeks of chaste and rather breathless meetings on campus and a Sunday dinner or two at Connor’s aunt’s, they marry in the Provo temple, move into the aunt’s basement and continue a simple life as married humanities students. Then they get mild intimations that respective dead ancestors had arranged this marriage all along.
What Makes it Marginal: Allusions to and mild descriptions of sexual relations (in the context of dreams and post-marital), wet dreams, relatively frank discussions of adolescent quasi-sexual activity, Elly frankly–and with some surprise and unfettered delight–informs her former roommate/missionary companion that sex is “fun.” Elly refers mentally one of Connor’s relatives as a “son of a bitch.”
What Makes it “Mormonal:” Two devout returned missionaries culminate the narrative with a hastily arranged temple marriage and then weeks later return to the temple to act as proxies in the sealing of dead relatives.
Key Quote: “”Nothing in his personal experience [. . .] could have provided him with the substance of his dreams. / Connor was still a virgin. Common enough among Mormons his age” (11).